photography – Earl Shilton Camera Club

Following on from Landscape we have POTY 2 – Action : This quest of capturing and conveying motion is collectively called action photography. Action photography demands lightning-quick reflexes, a solid foundation in composition and other photo elements, and a little bit of luck.

Freeze the Action – The world around us is in motion but a photograph is a still medium, a good shot freeze’s the action, and obviously it need’s to be sharp

Being more Creative – The better image goes beyond just freezing the action. and seeks a creative way of capturing and conveying this motion to the viewer.

Faces – If the image includes a person you need to see their face or more specifically their eyes and the expression.

Balls – If the image shows some one jumping to catch a ball or to kick a ball you need to see the Ball and not just the attempt as this gives meaning to the image.

Focus– the main subject of the image should be in sharp focus. However, sometimes motion blur can be used effectively to show motion.

Lighting/Exposure – the subject should be easily visible and not hidden in a deep shadow or lost in the highlights.

Background – the background should not be a distraction from the main subject of the photo.

Colour – the colour of the subject should be natural. It can be very easy, especially when shooting indoors under certain kinds of lights, to produce a shot where the white balance is substantially off and people have a greenish or other color cast to them.

Subject size – the main subject should fill a substantial portion of the photo; there should not be a large amount of excess space around the subject.

Distractions – items that detract from the main subject or action should be cropped out of the picture.

Noise – the picture should not be overly noisy or grainy. Excess noise is almost always a result of shooting at high ISOs or underexposing an image. Sometimes shooting at high ISOs is unavoidable (indoor sports, for example) in order to get a high shutter speed, but there are ways of reducing this noise during final processing of the picture. However, noise reduction can be overdone resulting in a “plastic” quality to people in the picture and should be avoided.

Examples – Here’s some links for extreme examples of good action photography

40 Awesome Examples of Action Photography

33 Exciting Examples of Action Photography

32 Stunning Examples of Action Photography

Beautiful Examples Of Action Photography

Hints & Tips – Here’s some links for more hints and tips

Landscape Photography

The opening competition of Photographer of the Year saw the theme of Landscapes. On the whole they were fairly standard landscape images and, with the exemption of a few, will get lost in the myriad of millions of landscape images ever produced. Whilst we are not expecting members to produced work more akin to the professional standard by icons such as Joe Cornish, Charlie Waite and David Noton, we do expect the members to produce something different from the norm whilst adhering to the storytelling nature of landscape photography. I find that images within the camera club world tend to do better if they are “people” orientated as, I believe, it is easier to tell a story. With landscapes we see so many nice but ordinary images. Even I started on this avenue and got constantly frustrated about why my image wasn’t doing better. Therefore it is imperative that when you enter you Landscape images, you are trying to tell a story and immerse yourself within nature, no matter how long you have to take the image. As usual, there are thousands of examples/resources on the Internet to help you in the future. You only need to take a couple pieces of advice and use this next time you take a landscape image.

So, from what I have learnt to date:

Tell a story
Use the golden light (sunrise/sunset)
Use filters, including the “Big Stopper” for long exposures at the coast
In woodland scenes, take images on a cloudy day when the light is diffused
Composition is as important as the light
Think portrait
Be intimate with the landscape
It is more important what you exclude rather than include
Use a tripod for ultimate sharpness with apertures of F/11 and above with ISO of 100/200
Be creative
Use the mist and fog for separation
Create depth
Change your position
Don’t be afraid to use a telephoto lens to compress the scene
Take notice of the seasons
View the masters – look at other landscape photographers for ideas and inspiration

From the Internet:

Good landscape photography is a difficult skill, but as with any photography genre, with some thought and application, your results will improve.